About Morris Pert

Morris Pert was born in Arbroath, Scotland in 1947. He graduated B.Mus. from Edinburgh University in 1969, and on an Andrew Fraser scholarship, went on to study composition and percussion at the Royal Academy in London, where he was a pupil of Alan Bush. He is also an Associate of Trinity College London in Piano Teaching. While at the Academy he won several composition prizes including the 1970 Royal Philharmonic Award for his first orchestral work 'Xumbu-Ata'.. A two-year period working with the world-famous Japanese percussionist Stomu Yamash’ta followed, with performances, recordings and musical collaborations in several European music festivals and in Yamash’ta’s own Red Buddha Theatre. This led him to form his own experimental music group, Suntreader, which performed and recorded much of his own and his colleagues’ music .

In the 1970s, Pert was one of the most prominent composers of his generation, receiving regular BBC commissions for large-scale orchestral works, including the first and second symphonies. At the same time, he was one of the foremost percussionists in the world of popular rock music. His serious works draw their inspiration from an eclectic range of sources, but especially from ancient mythology, astronomy and oriental culture.

He has written three symphonies: the first, The Rising of the Moon, was premiered in Tokyo under Hiroyuko Iwaki in 1981; the second, The Beltane Rites, was commissioned and performed by the BBC Scottish Symphony Orchestra, and the third, The Ancient Kindred, was premiered by the Munich Opera Orchestra under Eberhard Schoener on German television in 1980. Ancient Rites for choir and strings was commissioned and performed in Glasgow by the John Currie Singers. His music has been broadcast on several occasions on BBC Radio 3 and abroad.

Works recorded on the Chantry Record Label include Chromosphere for five players and tape, Luminos for basset horn and piano, Eoastrion for E flat clarinet and tape, 'The Ultimate Decay' for tape and a BBC commission, The Book of Love for percussion and tape. He has written incidental music for Frank Dunlop's Young Vic production of 'Macbeth' and the Oxford Playhouse production of 'The Tempest'

He worked for 18 years as a session musician in the major London recording studios, having recorded with (among many others) Paul McCartney, Andrew Lloyd-Webber, John Williams, Kate Bush, Mike Oldfield, Peter Gabriel, Phil Collins and the jazz-rock band Brand X. He has also done arrangements for the Classic Rock series of records by the London Symphony Orchestra, In 1977 Pert was voted number four jazz and rock percussionist in the world by America's Billboard Magazine. He has received five gold albums, an American ASCAP award for a hit song and a nomination by the National Academy of Recording Arts in Washington for his performances on record.

Among his works are an electronic ballet score Continuum for the London Contemporary Dance Theatre at Sadlers Wells; Voyage in Spac', twenty short piano pieces; The Ancient Pattern for chamber ensemble, a McEwen commission from Glasgow University and, more recently, incidental music for Eden Court Theatre's production of Peter Pan in Inverness and Aurora - a work for taped electronics.

Later in life he lived and works in his own small studio in the far North-West of Scotland, concentrating on composition and electronic recording techniques, and was working on his fourth symphony 'De Situ Albanie' and a work for Carnyx and tape.

Much of Mr. Pert's music is inspired by the symbolism and the mystery surrounding the culture of the ancient inhabitants of Scotland known as the Picts and by his interest in the philosophical implications of the sciences of astronomy, cosmology and astrophysics.

Morris Died on April 27, 2010.